Posts Tagged ‘historical romance’

Asylum II: Shadows Rise

Monday, December 3rd, 2012

Hey there! As always, good to have you here. Below is an excerpt from Asylum II: Shadows Rise. Hope you enjoy it!

(Paranormal Historical Romance)

1918, Simple, Colorado

A time of war, disease and supernatural threat tests the fabric of one woman and one man…

Annabelle Dorrenti is ravaged by her experiences in World War I, her body marked by wounds, and her psyche damaged by guilt. To save herself, she becomes a nurse at the asylum and discovers the haunting is just beginning. Perhaps she’s imagining the shadows that flicker nearby, waiting. A creeping dread presses in upon her, and she sees signs everywhere that something just isn’t right at the asylum. She doesn’t want to admit it anymore than she wants to acknowledge her building attraction to a handsome soldier as broken as she is. A man who blames her for his sister’s death.

Army Captain Cade Hale suffers from shell shock and the terrible fear that the dead haunt his every step. He knows that danger terrorizes the earth, but he also feels Tranquil View could cure him of addiction and grief over his sister’s death. He’s determined to lay the blame for her death where it belongs, directly at Annabelle Dorrenti’s feet. Drawn down to his soul to Annabelle, he hates their attraction and struggles against it. Yet he knows the asylum harbors evil, and his fear for Annabelle demands he protect her, no matter what the risk, no matter what she’s done in the past. When evil and illness manifest, Cade and Annabelle step up to challenge a horror far more insidious than insanity.

**

That night Annabelle dreamed. She stared into blackness. Not the absence of light, not darkness, but the pit of a cold hell. Her breath seized as she took a step forward. She couldn’t tell if the door yawned open; blackness swallowed everything in its jaws. She couldn’t breath knowing if she took one more step forward, the basement would claim her and never let her go.

Bolting upright, Annabelle sucked in labored breaths. She couldn’t see a thing except for a thin strip of light under her door. She listened, waiting. She felt that someone lurked outside. How she knew she could be certain. She threw back the covers and turned on her lamp. She inhaled slowly and deeply. Annabelle slipped her feet into her slippers and left the bed. Unlocking the door came easy, but opening it was harder. She threw it open to confront whomever–whatever–lurked outside.

Cade leaned against the far wall. He peered at her, his eyes haunted by darkness and curiosity. Her breath caught. She stepped out far enough to glance down the hallway. No one but him occupied the area. Two lights at either end of the corridor assured shadows would be revealed as humans and not horrors. Yet the dimness added to their mystery rather than banished them. His dark gaze traveled over her, and missed nothing in between. She felt that searing attention all the way to her toes. Annabelle realized she hadn’t put on a robe. He wore his day clothes.

“You shouldn’t be here.”‘ Another thought battered her. “Why are you here?”

“Because I’m walking off a bad dream.”

“That can’t be the only reason you’re here.”

“No. I’ll admit it isn’t. I wanted to apologize for trying so hard to get you to share your bad dreams when I haven’t shared mine.” He didn’t move, his lopsided smile filled with equal quantities of insolence and amusement.

Skepticism led her to cross her arms and say, “You needed to come here to tell me this? In the middle of the night?”

His low, husky laugh made her breath catch. “This ward is full of bad dreams. It’s thick here.”

“Thick?”

“I know you don’t believe in ghosts Annabelle.”

She hadn’t given him permission to use her first name, but it sounded wonderful in his rich tones. Annabelle leaned against the door jam. “No.”

“You’re practical. A woman with her mind on a goal. Her heart set on fixing every broken soldier.”

Disconcerted, she said, “It’s my job.”

He shook his head. “Oh, no. It’s far more than your job. It’s your obsession.”

Floored by his insight, she rallied against his probing accuracy. “Obsessions are for the weak.”

He snorted. “Really.” He took one step forward. Then another. “Do you think a sculptor is obsessed? Or an author? Do you think an artist paints because he’s mad?”

Not understanding exactly where he planned to go with this, but compelled to continue the conversation, she said, “Depends entirely on the artist.”

“Obsession can be the one thing that keeps that artist going when all else fails.”

Drawn to his words and to the resonance it made within her, she watched with a strange fascination of her own as his chest rose and fell. “Are you … are you an artist?”

He smiled, but it wasn’t humor that created the curve of his mouth. “Before the war I painted. Now I can’t paint a damned thing.”

“Oh.” For a second it was all she could think to say as she ruminated on what he’d revealed. “Your inspiration is gone?”

He took a slow and deliberate step toward her. “My inspiration is to paint things no decent human wants to see. No one wants a painting like mine hanging in the dining room in their house.”

She swallowed hard, her breath coming shorter. This conversation reminded her of a dream she’d once had. She hadn’t been able to run in the dream, feet stuck to the ground while a trench had crumbled around her. She’d had no control, and didn’t know which way to go.

“What do you paint?” she asked.

“I used to paint sunsets. Landscapes mostly.” This time his smile was genuine. “And sometimes a beautiful woman.”

“I never would have guessed.”

“That I’d paint beautiful women?”

“That you’d paint at all.”

“Because I don’t fit your idea of an artist?”

She decided to admit her own prejudice. “No.”

“Hmm. Then you’ve got a lot to learn about people, don’t you?”

“Don’t insult my intelligence, Captain Hale.” She made a disgusted sounded. “I know more about people than I want to.”

“Is that why you’re working in a mad house? When you left the war, why did you come to a place as dark as an asylum? Were you trying to work off the guilt in your soul?”

Oh, God. Yes. Yes, she wanted to. And to escape. If only she could escape guilt. If only.

“Do you have nightmares at night?” he asked before she could respond to his question.

“Everyone does once in a while.”

He shook his head. “No. Not everyone has these nightmares. Not the ones you had while you were in France. Not the ones you still have.”

She swallowed hard as a panic rose within. Corralling her fear and the memories, was a full time job. She shoved back the sweaty fear that threatened, and replaced it with defiance. “You are far off the point. None of this explains why I should believe in ghosts, and why you’re here where you shouldn’t be.”

“I was drawn here. Drawn to where you are. I don’t want to be here, but I can’t seem to stay away from you.”

A tingle of apprehension threaded its way into her thoughts. “Give me one reason why I shouldn’t call for help.”

“Because you’re curious. You have a hell of a lot going for you. Except for your refusal to believe in ghosts. You aren’t the type of woman given to wild fancies.”

“Why did you ask me if I believe in ghosts then?”

“Because I think this place is haunted. I hoped you’d be open enough to confirm it for me. I wanted the truth from a relatively sane individual.”

She stood straighter and barked a soft laugh. She glanced down the hallway, still half expecting to see a nurse or patient coming toward them. “Then if you believe that, you belong here.”

“Never said I didn’t.” He uncrossed his arms, but he looked no less powerful. “I checked myself in here, remember?”

“Believing in ghosts is poppycock.” She had to say it once again, in case he didn’t understand how adamant she was. “And you wouldn’t have come to this particular asylum if I hadn’t been here.”

“Who you trying to convince, Dorrenti? Me or you?”

His switch to her last name made her feel like one of his soldiers, and it also angered her into action. She took one step forward. “Perhaps you should continue to address me as Nurse Dorrenti.”

She’d half expected humor–a glint in his eye. Instead she saw guarded respect. This man meant what he said and said what he meant. Cade’s gaze caught hers, and she sucked in a breath. Within the fire of his eyes, she found an inner heat that hadn’t existed within her before in quite this way. Men in the war, those she’d encountered both wounded and well, had rarely stirred her senses, her anger, or her sensual needs. He did all three with disturbing ease. The knowledge frightened her. He burned with a fire she didn’t understand and feared. Yet excitement smoldered low, igniting a yearning.

He took a step forward and then another until he stood far too close–no more than six inches away. She gasped and one hand went to the door jam, clasping the wood. “What are you doing?”

Slowly his fingers tilted her chin upward. Her eyelids fluttered, almost closed. He leaned in and his cheek was close to hers as he drew in a breath. Cade’s scent teased her nose, a soft musk and delicious masculinity she thought of only as his. Heat off his body touched her flimsily clad body as he eased nearer.

“Answer my question,” she barely whispered the words. “What are you doing?”

“Making sure you’re real.”

“Is that laudanum speaking?”

“Perhaps.”

 

 

 

Asylum I: Shadows Wait Excerpt

Wednesday, November 28th, 2012

Hey all, I can’t recall if you ever saw this excerpt of Shadows Wait, the first book in my Asylum Trilogy. So here goes!

Lilly Luna’s mother gave birth to her in an asylum for the mad. Growing up in an insane asylum exposed her to horrors few could imagine, and yet her compassion and ability to heal frightens the broken and the healthy alike. The town fears her. The sane shun her. Morgan Healy’s father runs the creepy and rumor-maligned asylum. Morgan’s lineage is filled with insanity. Morgan holds together his crumbling family, hoping to escape his father’s legacy and the terrible secret it holds. When Lilly is hired as companion for Morgan’s sister, Morgan and Lilly form a reluctant alliance to corral the evil that seeps from Tranquil View and threatens not only the town, but also their growing love.

* *

Someone was screaming. At first Lilly thought it was Patricia, but immediately realized her own raw voice crying out, high-pitched with terrible fear. And the crushing knowledge her dear friend was dead.

A few seconds later, her doorknob rattled and held. “Lilly!” She stayed frozen to the spot. Pounding rattled the door.  “Lilly! Lilly open this door!”

Morgan. She raced to the door without thinking, unlocked it, and flung it open. Bare-chested, barefooted and wearing only trousers, he looked like a wild man. His hair was mussed as if he’d just crawled from bed. His chest heaved up and down.

He stepped into the room, forcing her backward. “What the hell is going on? Are you all right?” She tried to speak, but nothing came out. He reached for her, his eyebrows drawn together in concern. He cupped her shoulders. “Lilly.”

“I have to leave. I have to go to the asylum.”

“Why?”

“It’s Nurse Franklin. Something terrible has happened to her. I had a vision.”

His nose wrinkled up. “A vision.”

He wouldn’t believe her, and she should have kept silent. “She was just here. Her head was ….” She swallowed hard and through a blur of tears, she said, “Oleta Franklin is dead. She was here in the room with me. I saw the blood—”

She stopped, aware that her hands splayed across his broad chest, her fingers feeling the heat, the hair on his chest, the solidness of muscle. His stomach muscles, delineated and strong, rippled slightly when he moved. He was power and prowess, a strong male. She’d never seen a chest like this before in all her days, and it struck her dumb for one second.

He shook her lightly. “Damn it, Lilly. What foolishness is this? I heard you scream like you were being murdered.”

“What the devil is going on?” Dr. Healy’s voice came from the other side of the landing as he left his bedroom in a dressing gown and his wife followed behind him.

Morgan released Lilly. “Lilly had a nightmare.”

“No it wasn’t a nightmare.”

Patricia came up the stairs, her eyes filled with teasing and guile. “I thought I heard a scream. What’s going on? Is Morgan trying to break into Lilly’s room?”

“Don’t be ridiculous.” Morgan planted his hands on his hips and stepped away. His glance remained on Lilly, burning her deep.

“Morgan, must you be so harsh?” Constance said as she came to stand by her husband. “Are you all right Lilly?”

Tears still hovered in her eyes, but she swallowed them with effort and lifted her chin. “I am fine. I’m sorry to have disturbed you all.”

Dr. Healy’s dubious expression said he didn’t believe her. “I thought I heard you say something about Oleta Franklin.”

Dr. Healy walked toward Lilly and Morgan with a stern expression. Lilly’s apprehension heightened. She sensed the older man’s disapproval, and knew consequences would come.

“She just had a bad dream,” Morgan said again. Lilly wanted to yell at them all that she’d been wide awake.

“A dream?” Dr. Healy’s disgust sounded in is voice and his face. “About Oleta? What was it about?”

It seemed a strange question, but she answered it. “She was ….” Lilly glanced at Morgan, then at Patricia and Constance. They all waited patiently, but she could hardly get the words passed her lips. “Oleta was in a terrible accident and she’s dead.”

“Oh, my goodness.” Constance put a hand to her mouth. “How awful.”

Lilly glanced at Dr. Healy and thought she saw a flicker of discomfort. His mouth tightened.

“Distasteful.” Patricia’s voice seeped with sugar and lemon.

“Patricia, must you be so contrary?” her mother asked.

Dr. Healy found his voice. “This is all poppycock. Anyone with an ounce of sense knows dreams are balderdash.”

“Freud didn’t think so,” Patricia said as she twirled in a circle. Her filmy nightgown whirled out from her body in a frothy cloud.

Dr. Healy glared at his daughter, but then turned on his heel and stalked back to his room. He slammed the door.

“My dear,” Constance said just as her husband slammed his bedroom door. “Are you certain you’re fine?”

Lilly didn’t want any more prying questions. She couldn’t answer honestly. “Yes.” She gave a weak smile. “Yes.”

“Then let us go back to our rooms and prepare for the day, shall we?” Constance’s smile was brittle, a vein of disapproval heavy in her voice. “And Morgan, do put a shirt on.”

Constance returned to her bedroom and closed the door much more softly than Dr. Healy had.

Patricia watched them with a half smile. “Were you in Lilly’s room, brother?”

Morgan made a scoffing noise. “Of course not. Go back to bed Patricia or do whatever you do in the morning.”

“I was reading in the library. I couldn’t sleep.” The young woman’s cocky smile widened, but she didn’t argue as she went back down the stairs in her dressing gown.

That left Lilly standing in the hallway with a half-naked Morgan. She licked her lips when she scanned across his powerful form once more. His biceps rippled as he crossed his arms.

Before he could register the same disapproval the other’s had, she jumped ahead. “Do you think it was a bad dream?”

“What else would it be?”

“I need to go to the asylum this morning.” Tears returned with a vengeance, and this time she couldn’t stop them. She wiped at them with her fingers as the ache in her throat wound tight. “I need to make certain Oleta is safe.”

“Lilly.” He moved forward, and before she knew it, his body cradled hers. “I’m sorry.”

Shocked, she stiffened in his arms. But his grip tightened, one hand smoothing over her back, the other cupping the back of her head. She found her head pressed to his shoulder. Thought she wasn’t petite, he was over six feet tall. His arms enveloped her in warmth and protection and a comfort she’d never expected. Her palms moved over his chest and rasped over his nipples. He sucked in a breath.

She looked up and those deep eyes captured hers and held. Fire bloomed there and transferred straight to every untutored and tender part of her body. Something feral and amazing grew between them until it pulsed between her legs and in her belly. It felt primitive—as untamed as a lion in the wild. She wanted to seize the feeling and embrace it until it enclosed her in an everlasting sweetness. He smelled like leather and musk. Her senses whirled. What could she do but enjoy his touch, the comfort he offered, no matter how inappropriate? No, if she didn’t escape his unseemly embrace now and his father or mother saw them, who knew what would happen. The danger in this didn’t elude her, and she pushed gently at his chest. With obvious reluctance he released her. Her tears had dried the moment she realized their compromising position.

 

Goodreads Giveaway!

Saturday, November 10th, 2012

Okay dudes and dudettes, I’ve got two paperback copies of Before The Dawn that I’m giving away at Goodreads. So if you’re a Goodreads Member run over there and put your name in for it. You can find it here Goodreads Giveaway

Enjoy!

 

Asylum Trilogy, Escaping New York, & Halloween!

Wednesday, October 31st, 2012

Welcome to the Halloween edition of my blog. It has been a crazy week. One thing I think I’ve learned is that it is hard to travel to a conference and deal with the release of new books at the same time. Note to self…don’t do that. I was in White Plains, New York last week attending the fabulous Novelists, Inc. conference. My hubby and I planned to leave by Southwest Airlines this last Sunday at 1:25 in the afternoon. We got to the airport early, anticipating the place would be crazy because of all the people trying to escape Superstorm Sandy. We were right. The security checkpoint was a bit of a zoo. Although considering what it could have been like, it wasn’t that bad. Flights were canceled, and at one point our flight hadn’t come in yet. We wondered if it would be canceled as well. But lucky for us, even though it was more than thirty minutes late arriving and taking off, we made it out of New York! A little angel must have been lookin’ out for us because they told us we were one of the last Southwest flights out. The planeload of people cheered their good fortune.

On the home front I realized yesterday I have a creepy crud cold. But hey, no biggie. Traveling can do that to a body. Today I’m concentrating on the release of my Asylum Trilogy! What’s the Asylum Trilogy you say? Well, if you enjoy paranormal romance mixed with historical and with contemporary, you’ll like these books. Here’s the trailer to give you a spooky look. I decided to release all three books (Shadows Wait, Shadows Rise, Shadows Fall) at the same time to make sure you could get all three stories quickly. The rest of the week I’ll be highlighting each book on this blog, so be sure to stop by and say hello.

You can read excerpts on the Asylum Trilogy book pages and see the gorgeous covers. The Asylum Trilogy is available at Amazon and at Smashwords either as a discounted three book bundle, or you can buy the books separately. The first novel, Shadows Wait, is on discount for only 99 cents for a limited time at both Amazon and Smashwords. Don’t forget, at Smashwords you can purchase a variety of ebook formats. The books will also appear on iTunes and Barnes and Noble Nook soon.

Part of the day I’ll be running around the Internet promoting my new books. The rest of the time I’ll celebrate Halloween by chillin’ on the couch watching something spooky. Normally I also celebrate with a Witch’s Brew, but that doesn’t mix well with cold medicine. I need a nose mitten! ☺

Everyone have a wonderful, wonderful Halloween. To all of my friends and fellow writers in the eastern part of our country, I hope you are all doing well and soon you’ll be back on your feet in fighting shape. Hang in there!

Print Edition! Before The Dawn

Wednesday, May 2nd, 2012

Good morning or afternoon everyone. I’m a bit slow on the uptake, because I meant to do a mini celebration of the print release of my historical romance Before The Dawn on my blog yesterday and it didn’t happen. Anyhoooo…here is a snippet you may not have seen.


* *
A fallen woman must decide to stay down, or rise and fight…

Elijah McKinnon has been found innocent of a heinous murder, but it doesn’t erase the hellish years in prison he endured. He boards the train to Pittsburgh a changed man, certain he will never feel free until he’s wreaked revenge on the brother who ruined his life.

The passenger who catches his eye is intriguing, but he’s seen her kind before. The kind who puts on airs—and looks down on Irishmen. Still, he can’t seem to stop himself from stepping between her and a pack of ruthless cads.

Mary Jane Lawson is grateful for the handsome stranger’s help, but her journey has a higher purpose: to rise above her shattered reputation and declare her independence, come flood or famine. Propriety says she should refuse Elijah’s suggestion they pose as husband and wife—for her own protection, of course. Her practical side says it won’t hurt to pretend, just this once.

Come nightfall, though, their little charade must be carried all the way to shared sleeping quarters, where their vulnerabilities become painfully clear. And when danger past and present threatens, trusting each other becomes a matter of life and death.
* *

Once more he leaned in and kissed her. Brush by brush, he painted his lips over hers in tender strokes that heated fires everywhere. He fisted his hand in her hair and drew her to his chest, his mouth now working hers with a persistent tasting. She eased away with a moan, but his lips still hovered over hers.

“That wasn’t a proper kiss,” he said.

“Of course it was.”

“How many times have you been kissed?”

She licked her lips, and his gaze caught hold of the sight and burned like a touch. She swallowed hard. “Many times.”

He frowned. “Many times? By how many men?”

“By one.”

“How old?”

“Forty.”

“Ancient.”

“To a twenty-year-old woman, it is.”

“That’s interesting.” He kept his voice soft and non-threatening. “So, how old are you now?”

“Twenty-two.”

“I’m twenty-six.”

“Ancient.”

“In five years I’ve lived a lifetime.”

She had no doubt he had, in his own way. “The man was Professor Thaddeus Ricker, a lecturer at the university. He teaches Latin. He was very appealing and handsome, a scholarly man that women respected.” She shuddered. “But they should not have. I should not have.”

“The old man didn’t kiss you properly, and because you didn’t find him attractive, you didn’t enjoy his kiss.”

His brows knitted, and she saw sympathy and understanding there that she did not know if she wanted. Attractive? Oh, yes, she knew how she felt when Elijah stood near, when he looked at her with those hooded, searching-out-every-secret eyes. It was world’s above what she had experienced with Thaddeus. Her professor, once so dear in her young heart, seemed pale imitations of manhood against Elijah’s potent personality.

Before she could answer, his touch slid down to her throat and tested the pulse pounding there. “Sure, and there it is. Heat and madness.”

“Madness?”

“Your pulse is quick. The way your breath quickens and your heart picks up speed tells me you like our kisses.”

“I do not want to like it.” She blurted the statement with a petulance that surprised and embarrassed her.

“Whether you want to like it or not isn’t the question. Did you like it?”

She knew she hovered on making a step that once taken could not be erased. “Yes. It was…pleasurable.”

His eyes turned hungry, their intensity building with her answer. “How much pleasure?”

“New. Different.”

He drew in a deep, shivering breath and trembled on the exhalation. “Do you want an honest kiss, Mary Jane?”

She could not voice it, so she did the one thing that would answer. She slipped her hand through thick, black hair at the back of his neck and eased towards him, brought him nearer inch by inch until…

Their lips met.
**
You can get your copy of Before the Dawn at the these outlets:

Samhain Publishing
Amazon
Barnes & Noble
Powell’s
Books A Million

Guest Author: Anna Jacobs

Thursday, April 26th, 2012

A big welcome to author Anna Jacobs. I’ve had the pleasure of being in Novelists, Inc. with her for quite some time. Today Anna talks about why she writes in different genres. Take it away Anna!
* *

I write in several different genres because I enjoy the variety and it keeps my imagination stimulated. I think people work better when it’s something they like doing. I produce 3-4 novels a year, working for three UK publishers, so I need to keep on the ball.

I started off writing historical romance, because I love Georgette Heyer’s books. When she died, I tried to write a story like hers. It took me a few years to get published, during which I found my own style and wrote several books. Then I won a competition and got a regency romance published.

Among the other books I’d written was a saga UK style ie poor woman battling the odds, finding love and happiness. There is a bit more to them, eg meticulous historical research, strong UK regional flavour, but that’s the basics. When ‘Salem Street’ was accepted, the publisher wanted more sagas, not historical romances, so I was left with several unsold manuscripts, which I stored for future use.

I’m still writing sagas for that publisher, but I’m now setting them mainly in Australia – stopping off in various other countries en route from the UK to Australia. So even within a genre, I’ve moved sideways. I always was fidgety.

As an example of where I’m at now, my series about the Traders is set in Western Australia, Singapore, Suez, Ireland and Sri Lanka in the late 1860s. No 2 ‘The Trader’s Sister’ has been published this month (April 2012). What fun I’ve had researching the background!

While I was first trying to get published in the 90s, I also wrote a classic fantasy novel with paranormal elements, unusual then in having strong female characters. Soon after I my first saga was accepted, I also sold my first fantasy novel to a different publisher. So I was writing in two genres and under two names. Shannah Jay writes fantasy and Anna Jacobs writes all the rest. I even had one fantasy novel shortlisted for Best Australian Fantasy of 1996. They’ve recently been reissued as ebooks.

But . . . my sagas took off and were earning much more money, so I settled into writing them and reluctantly left the fantasy genre. After a while I got restless writing only one sort of tale, and had a fancy to try a modern novel, just for my own pleasure. It took two years, because it was different, and I learned a lot from writing it. OK, I admit it, that’s not people’s usual idea of fun, but I enjoyed it immensely.

In the meantime my early historical romances had been accepted by yet another publisher, and I wrote a couple more for them. They’re out of print now, but are selling very nicely as ebooks, especially a gothic tale called ‘Mistress of Marymoor’ set on the moor of northern England in the mid 18th century.

That publisher also bought the modern novel and now they want only modern novels from me. Fine. I love writing them. I tend to write older heroines, in their forties and fifties, set in the UK and/or Australia. No one is ever too old to find love or make a new life, and fiction is short of older heroines, I believe.

I did nip back to the fantasy genre to write a prequel to my series (Tenebrak: The Founding by Shannah Jay) and also a young adult classic fantasy tale (The Sword of Azaray).

What can I say? I love the variety! It keeps my mind stimulated. And my readers seem to enjoy it. Whatever the genre, I like to write about families and relationships, what might be called women’s fiction in the US, except that men read my stories too. My books are on the longer side, have several subplots, and sometimes more than one romance – well, I can’t leave my secondary characters unhappy can I?

I don’t guarantee not to move to another genre in the future. I just guarantee to keep telling stories. I’m addicted to it.

BIO
At the moment Anna Jacobs writes alternate historical and modern novels. She’s had 57 novels published so far (some as Shannah Jay) with others in the pipeline. She spends half the year in Australia and half in the UK, which nicely avoids facing any winters. She is so not into snow! In Australia, she lives in a waterside home where dolphins swim past regularly. In the UK, she lives in Wiltshire, which she has grown to love, it’s such a beautiful county. You can read more and try the first chapters of her books on her website: Anna Jacobs

Before The Dawn In Print Soon!

Monday, April 9th, 2012

Before The Dawn will be in print soon! Whoohooo! So for those of you who prefer reading print, you’ll be able to get your copy on May 1! Before then I’ll be sprinkling in some teaser excerpts of scenes you may not have witnessed before if you haven’t already read the book. So stay tuned.

Also this month I’ll have a couple of those writing articles I promised to people on Twitter not so long ago.

Guest Blogger: Debra Mullins

Monday, March 19th, 2012

Happy Monday everyone. I’m delighted to present my guest blogger today, multi-published Debra Mullins. Debra is chatting with us today about why she writes in different genres. Take it away Debra!

Paranormal and Historical: Why I Write Both
By Debra Mullins

For the past fourteen years, I have been writing historical romances. It all started because of my love of the old swashbuckler movies starring Errol Flynn and Tyrone Power. I used to watch those movies with my dad on Sunday afternoons, and I loved being transported to a different world where my own problems didn’t exist.

I also used to watch Star Trek with Dad. We were a big science fiction family, and I’m still a fan to this day, though my taste wavers between science fiction and paranormal. If you were to look at my DVD shelf, you would see Buffy the Vampire Slayer, Angel, Firefly, all the Star Trek movies, Highlander (series and movies), The Fifth Element, Star Wars…well, you get the picture. However, right next to those DVDs are others like Sense and Sensibility, Errol Flynn adventures like Robin Hood and Captain Blood, The Mark of Zorro starring Tyrone Power and a bunch of John Wayne Westerns. My DVR is set to record both Downton Abbey and Fringe.

I bet you’re seeing a pattern here and are wondering why I can’t make up my mind. What do both historical and science fiction/paranormal have in common? What’s the connection, and why do I flip flop back and forth?

World building. And that’s what I love about both these genres. There are rules in the Regency time period, and there are rules in my paranormal world. The rules of Society must be followed in the year 1813…though some of the fun is when the characters break those rules. And the rules of the physical world of paranormal ability must be followed…except when there is an exception. (Anakin Skywalker, anyone?)

When you read a historical romance, you are sucked into a different world with different fashions, different politics and different social customs. The same is true for paranormal. The world you enter when you open the book is one with possibilities that don’t exist in our world. Maybe the hero has super powers. Maybe the heroine is a ghost. Maybe the entire story takes place in a different galaxy. With historicals, the fun is in playing dress-up in the past. With paranormal, the fun is in the infinite potential of impossible that the writer can bring to life.

I’ve been wanting to branch out into paranormal for a long time now, way before the current craze began, but the time wasn’t right. Recently, however, I was able to make my paranormal dreams come true with the Atlantis series I am writing for Tor Paranormal Romance. This trilogy is about the descendents of the survivors of Atlantis, all who have different types of psychic abilities. There are three ancient stones of power being sought by divided factions of the old Atlantean society in a race for ultimate world domination.

At the same time, I am working on a Regency historical novella, and three of my backlist historicals are being re-released in digital format from Samhain Publishing. I have Once A Mistress (a pirate adventure that was released this past December), Donovan’s Bed (a Western released in February 2012) and The Lawman’s Surrender (a Western due out in April 2012). See? Even in the historical world I like to change it up!

I’m really having fun switching back and forth between the two subgenres, and I’m hoping my readers enjoy the ride.

Happy St. Patrick’s Day

Saturday, March 17th, 2012

Howdy all! I wanted to say have a wonderful St. Patrick’s Day! And if you have a hankering for an Irish hero, my historical romance LOVE FROM THE ASHES is free for a short time at Amazon. Love From The Ashes is set during the 1906 San Francisco Earthquake and Fire. It features an Irish hero and a heroine involved with the suffragette movement. Hope you’ll stop by an pick it up! Get it here!

Sneak Peek: Shadows Rise

Friday, January 20th, 2012

A Peek Into the Asylum Trilogy: Shadows Rise

When people think of romance writing they don’t often think of war as a part of the story. Yet war is a part of our life and our times. In the first story of my Asylum Trilogy, Shadows Wait, the asylum with its underlying darkness, misery, and ghosts becomes a character and the heroine and heroine must fight the supernatural and undeniable evil both human and not human.

The next story turned a little darker. I didn’t set out for the story to be darker necessarily. That would have meant I plotted when I don’t really plot my novels. I allow them to evolve. In the second book, Shadows Rise, which is set in 1918, war and the Spanish Flu are characters in the story. Both the hero and heroine are affected deeply by the war. As I did the research on World War I, the affect on me became more profound as well. I’d read about this war, but when I write historical novels I immerse myself in all the information I can get. What I learned about that war and the Spanish Flu that ravaged the entire world, gave me a profoundly new respect for the people who lived through it. Both of my grandfather’s were registered for the draft, but health situations made them ineligible to go to war. It dawned on me, when it never had before, that my father was born in May of 1918, only a few months before the Spanish Flu started its awful path through the United States and the rest of the world.

Many people of that time endured horrors a lot of us can’t imagine. As an author it’s my job to imagine those things and bring the story to life. I discovered a great satisfaction in creating a world where the hero and heroine could conquer their fears and grow. Characters are revealed through their war experiences, the pandemic, personal guilt, passion, and love. Added to that is the continuing character that is the asylum itself. For the evil has risen, it is stronger than ever, and it challenges the hero and heroine to a duel they hope to survive. Here’s a snippet (unedited) from Shadows Rise (release date to be announced). I hope you enjoy it.

* *

Asylum Trilogy, Book Two: Shadows Rise

A time of war, disease and supernatural threat tests the fabric of one woman and one man…

Annabelle Dorrenti is ravaged by her experiences in World War I, her body marked by wounds, and her psyche damaged by guilt. To save herself, she becomes a nurse at the asylum and discovers the haunting is just beginning. Perhaps she’s imagining the shadows that flicker nearby, waiting. A creeping dread presses in upon her, and she sees signs everywhere that something just isn’t right at the asylum. She doesn’t want to admit it anymore than she wants to acknowledge her building attraction to a handsome soldier as broken as she is. A man who blames her for his sister’s death.

Army Captain Cade Hale suffers from shell shock and the terrible fear that the dead haunt his every step. He knows that danger terrorizes the earth, but he also feels Tranquil View could cure him of addiction and grief over his sister’s death. He’s determined to lay the blame for her death where it belongs, directly at Annabelle Dorrenti’s feet. Drawn down to his soul to Annabelle, he hates their attraction and struggles against it. Yet he knows the asylum harbors evil, and his fear for Annabelle demands he protect her, no matter what the risk, no matter what she’s done in the past. When evil and illness manifest, Cade and Annabelle step up to challenge a horror far more insidious than insanity.

* *

Tranquil View Asylum

Simple, Colorado

October 1918

Annabelle Dorrenti limped as the ache in her left leg reacted to long hours on the ward. She continued down the hallway, albeit at a slightly slower pace. No point in paying attention to pain. Her shift wasn’t even half over.

Then a solider entered the asylum and changed everything.

Physically he looked fine—more than fine, actually. He came through the massive front doors, old metal and wood creaking and each assured step thudding on the floor of the rotunda. He didn’t look anything like the soldiers who resided here now, who had lived and died the last year or more. She was used to frail-looking military men with odd gaits, thousand-mile stares and souls so destroyed they’d never find their way back to sanity again.

This man had presence, and there was nothing fragile in how he presented himself.

He was big but not fat. Easily six feet three inches. Strength showed in his broad shoulders, trim waist and steady walk. His long wool uniform coat fit him as if tailored, his boots polished, his bearing upright and imposing. His height would intimidate most men and women, but his gaze would frighten. A dark, haunted gaze that would stay cloaked to strangers but could read a woman’s secrets within minutes. His face didn’t have the classic good looks of Douglas Fairbanks. She’d seen Fairbanks in only one film this year called Say! Young Fella and hadn’t been as impressed as the women who sighed and simpered at the mere mention of Fairbanks. Her friend Penelope Billings, another nurse at Tranquil View, thought the actor was the most handsome thing she’d ever seen.

No, this man was harder than Fairbanks. Raw with energy and grounded.

Real.

His jaw appeared carved out of granite and his cheekbones sculpted but far from pretty. His short hair, thick and black, fell in unruly waves that defied the short cut. It made him appear untamed, a wildcat few could cage or train. His mouth caught in a thin line etched with pain or disapproval, or maybe both. Something powerful radiated from him and mixed with a vulnerability that snatched the breath from her. She didn’t understand how she knew it, but he would become important in her life.

Compelled, she stepped into the rotunda from the north wing first floor ward. She’d intercept him and help. Perhaps he wasn’t a patient but a friend coming to see one of his wounded buddies.

Nurse Liza Olmaster saw him, too, as she strode from the administration offices located in the back. And when Nurse Olmaster latched on to a person they never escaped.

Annabelle hadn’t gone more than two steps before a powerful arm slung around her neck and drew her back into the hallway. She managed one strangled cry, surprise mixing with anger.

“What you doin’ Kraut? You think you’re going to spy for the Kaiser and tell those Huns where we’re at?” He pulled on her neck again and she gasped for air.

The gruff voice was thick with drug, but also strong with hatred. She recognized that foul-mouthed western accent right away. Problem was, she could barely squeak much less plead with Sergeant Martin “Pepper” Culpepper. Pain shot through her throat. She gripped the man’s hard forearm with both hands, but she couldn’t make him budge. If he crushed her larynx she wouldn’t have to worry about anything. She wouldn’t have nightmares, or sweats, or feel her heartbeat slamming relentlessly against her chest every time she tried to leave this building.

“Soldier!”

The deep, commanding voice boomed, startling her as much as Pepper. The man hauling her farther backwards into the hallway stopped, and as her eyes watered she tried to see through pain.

The handsome man walking toward her and Pepper brushed passed Nurse Olmaster. “Wait. I’ll take care of this.”

Nurse Olmaster, petite but blustery, took instant offense. “You have no business—”

“Shut up,” the new man said, his voice cold and harsh.

Nurse Olmaster gasped, and turned right around to dash back to the administration offices.

The tall man coming to her rescue took each step slowly, and he held up one hand. “Soldier, what are you doing out of your barracks?”

Was this man crazy? Yes, he probably was.

Pepper’s grip around her neck eased, and she realized she was wheezing like a bellows. “Pepper you know I’m not German.”

“Soldier, what’s your name?” The tall man asked, inching closer.

The hard muscle behind her shifted, and pressure came down on her windpipe again.  “Martin Culpepper. My friends call me Pepper.”

“Well, then, Pepper…may I be so presumptuous to call you Pepper?”

“Sure.”

“Good. Now, this woman you’re holding is a German?”

Pepper’s arm loosened a little, but not enough to allow escape. She sucked in breath, enjoying the air almost too much to notice anything else.

“Yeah, she’s a German…Captain? You is a Captain?”

Hale tapped his insignia and the row of metals. “I am.”

“In the U.S. of A Army?”

“Yes. Where are you from, Sergeant?”

“Missouri.”

“A fine state.”

“Yes, sir.” Pepper loosened his grip even more. “Sir, I’ve brought you a prisoner. Those bastards done blew up my entire regiment sir. They left me alone.” Pepper’s voice turned ragged as he started dragging her back down the hall. His voice rose. “They left me with blood all over me. Blood and guts and aw Chrissakes Captain it was the most awful damned thing I ever saw.” Pepper’s voice broke. “You don’t understand. You just don’t understand.”

The Captain followed, his steps quick but not crowding the man. “I know how that is Sergeant.” The Captain had the gall to smile. “This one time I saw a man’s head blown keen off at the shoulders. Was the most horrible thing I thought I was ever going to see. Found out later it wasn’t.”

Annabelle considered that maybe the Captain had no intention of helping her at all, and fear slid up her throat like a bad taste. What if this new soldier was here for the same war sickness problem Pepper had?

The Captain gestured casually as he stepped closer. “I know they told you living in a building like Tranquil View would make you better.”

She couldn’t see Pepper nodding, but she could feel his movements. “They did say that, sir.”

“And does it?”

“Yes.”

She wanted to growl at the Captain. After all, he wasn’t the one dangling off this man’s arm and throat hurting like the Dickens. Now that the Captain stood nearer, she saw that his eyes burned like coal, their brown so dark they almost looked black. But there was nothing cold in his expression.

“Look Pepper even if she’s guilty I know you wouldn’t hurt a woman. It’s not the way we do things in the army. It’s not the way a real man would do things. Let her go now. If she’s my prisoner I’ll take it from here.”

She didn’t know whether to be relieved or to still worry about Pepper’s intentions. Fear still scuttled hot through her body. Annabelle remembered what her father told her before she went to war.

Darlin’ you’re going to see some things. Things no man or woman should ever see. My Daddy said Gettysburg killed him long after the war was over. You need to get it right in your head to be strong. Anything else and you’ll be like your Granddaddy jumping at his own shadow.

She’d thought she’d been ready. How wrong she’d been. Even leaving the war didn’t really mean leaving the war.